You
can have a pup if you want to
George
is honest with Slim and tells him why he´s with Lennie. It was a responsibility
that George assumed when Lennie´s aunt died and he was helpless. Although
George admits that ‘Lennie´s a God damn nuisance most of the time’ has got used
to his company. Somehow they complement each other. What one doesn´t have, the
other has. And then he tells Slim what happened at Weed.
What
tenderness is lived in the scene in which a young labouring man, Whit, recognizes
in one of those pup magazines an old ranch workmate who drove a cultivator and
shows it to Slim who has a hard time admitting that a poor farmhand is able to
write such a letter.
The
following pages describe the way in which the labourers have to settle with the
suffering of an old dog after convincing the owner of the animal; and being the
writer a great friend of dogs I wonder if he ever had to face that situation
and the bitterness with which he would write this moment.
I´m
finding expressions that I like very much in this book, but I must also say
that some things I don´t understand, as happens with the phrase that appears on
page 58:
‘Curley´s
got yella-jackets in his drawers, but
that´s all so far’.
I
don't know exactly what 'got yella-jackets in his drawers' means, 'got
yella-jackets in his drawers’... Just as I also had to devote a few minutes of online research to find out why 'in Susy´s
house don´t let goo-goos in'.
Another
character, Candy, makes an endearing proposal to George on pages 67 and 68. Is
there anything more noble and elevated than having you your own home and owning
your own work? George starts weighing Candy's offer and recommends that he not
tell anyone.
The
constant presence of the owner´s son´s wife is immersed in the atmosphere that
runs through this entire chapter. On the other hand, it´s a natural thing that
occurs in a space as described in the work, an isolated ranch in the
countryside and a bedroom full of testosterone.
From
my Borstal.
LDR
Of Mice and Men. John Steinbeck. Pocket Penguin Classic. London, 2006.
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